How to record guitar using magix sound forge pro 12 mac 3.0
- How to record guitar using magix sound forge pro 12 mac 3.0 movie#
- How to record guitar using magix sound forge pro 12 mac 3.0 plus#
But if the guitar is not the main instrument, then it is quite possible to do something shameful. You will not get a real tube color, natural compression and, most importantly, speakers. This is how you get something acceptable. Then the bass will be responsible for the low and low mids, and the guitar for the upper mids and highs. This will add a little space to the sound and it won’t be so disgustingly electronic anymore. In the send channel, add a spring (required) reverb and delay.
How to record guitar using magix sound forge pro 12 mac 3.0 plus#
This will remove unnecessary hum, plus give the sound a guitar stack effect. Especially if it’s rock and you need a wall (the instruments are similar). More precisely, we cut everything below 100 Hz and cut 800 Hz a little. Bass (guitar or synth) is half the sound of a guitar, oddly enough.
And then we make different settings on them. Because we are going to “reamp” (run the original sound through a real or virtual amplifier to get a new sound). But if not, it’s also okay – just split the track.
How to record guitar using magix sound forge pro 12 mac 3.0 movie#
The main thing is that with a touch of “low-quality, but cool sound.” Like the same Jack White (for guitarists, I generally recommend watching the movie “Get ready, it will be loud.” You will learn a lot about the formation of a guitar sound. So what are we going to do? Trying to sound underground, vintage, whatever. See also: iZotope introduced the Neoverb reverb. And of course, remember that you can never sound expensive on cheap equipment, this is an axiom. And the question arises – is it possible to get not the most embarrassing sound in such conditions? Yes, you can, but you have to try. But more often than not, we have an inexpensive guitar, sound card, and a couple of effects pedals at best. Having seen enough of the tough guys, we all dream of a big guitar stack, to which several microphones lead, and then necessarily to an expensive studio console (not forgetting about tube compression, of course, to give even more FAT).